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Tutorial 1-Dubstep Wobble Bass with Massive

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www.myspace.com/thesynthesist This is the first tutorial from The Synthesist, covering the process behind making a Dubstep wobble bass sound. This video shows the use of Native Instruments' MASSIVE synthesizer, which shifted the paradigm for software synthesis development in late 2006. MASSIVE's fat, analog sound is unique to the soft-synth world, offering a wide scope of sound design possibilities. But underneath all that, is an extremely simple-to-use, great sounding engine, that can provide some of the baddest bass tones you've ever heard. Check out the video, and the patches that are linked through the site below. http://www.thesynthesist.com Notes on the patches: Wobble 1- This is a basic demonstration of the ideas seen in the video. One oscillator, one filter, one LFO. very basic. Wobble 2- This is the patch that was created in the video. You have a the dual-oscillator setup, using the same wavetable and settings, one is simply pitched an octave down. Try putting an LFO on the pitch of one of the oscillators, but only modulate the pitch by .10 or .15 of a half step. This will give a thicker and different feel to the sound. Wobble 3- This is an example that has been used in one of The Synthesist's tracks previously. Its an example of experimentation with the LFO, applied to the Ring Modulator in addition to the Filter's Frequency Cutoff. Try applying an LFO to the Phase knob in the Modulation Oscillator. Also, the Performer function is displayed, rather than a simple LFO, so that you can write in your own modulating patterns. The biggest rule of creating a fat bass sound from scratch is START SIMPLE. Bass tones get muddied very easily, so very minor changes can have a dramatic effect on your sound.

Category: Music
Uploaded: January 3rd, 2008 @ 10:14 pm
Author: EvidenceRecords

Length: 03:02
Rating: Whole StarWhole StarWhole StarWhole StarHalf Star
Views: 52,175

Tags: ass bad bass dub dubstep electronic hip-hop instruments massive native synthesist tutorial wobble

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